Merry Christmas, Byzantine Style!

This is a Byzantine ivory from the 10th century. Mary rests beside the manger with the swaddled Christ Child. Three angels emerge from behind the mountain, one of whom announces the birth of Christ to the standing shepherd on the left. In the foreground, the infant receives his first bath while the seated Joseph watches. The motif of Christ receiving his first bath is characteristic of Byzantine images of the Nativity and rarely appears in western European art.

Image courtesy Wikimedia Commons.

Medieval Mondays: Ottonian Ivory

One of my favorite artistic movements of the Middle Ages was the creation of ivory miniatures during the Ottonian Renaissance (c. 951 – 1024). Launched by the German Ottonian dynasty, this was a flowering of art and culture heavily influenced by the earlier Carolingian Renaissance and contemporary Byzantine artistic styles. The Ottonian kings ruled over much of Germany and Italy and called themselves the "Holy Roman Emperors", a title used by many rulers before and since.

The renaissance encompassed all forms of art but I've always been most impressed by the ivory miniatures ever since I first saw them in the British Museum and the Victoria & Albert in London. The photo above is of a diptych made in Trier at the end of 10th century. It shows two scenes: Moses receiving the Ten Commandments and The Doubting Thomas.

This is a situla, a bucket for holding holy water. It's carved with twelve scenes from the Passion of Christ arranged in two rows and was probably made around 980 for the visit of Emperor Otto II to Milan.

This also comes from Milan around 962-973 and was donated to Magdeburg Cathedral by Otto I. It depicts the Flagellation of Christ.

All images courtesy Wikipedia.

Leather armor in the Middle Ages

In the first chapter of my fantasy novel Roots Run Deep, a team of goblinkin are preparing for a raid on a human city.
 
Like anyone who lived on the Reservation, Kip went armed at all times. Not that she had much. Her tattered leather jerkin gave scant protection, and for weapons she carried a flint knife and a tfaa, a traditional goblin fighting stick. A balanced, two foot-long rod carved from ironwood, the tfaa didn’t look like much, but in skilled hands it could disarm and cripple a swordsman. Prenta had gotten rid of her showy clothes and dressed in a more practical leather jerkin similar to Kip’s.

These impoverished goblinkin are wearing leather armor because they can't afford anything better and their human rulers forbid them from bearing metal weapons and armor. (This ban doesn't last, but that comes later in the story. . .) Leather armor is a staple of fantasy fiction and roleplaying games, yet many people don't realize just how common it was in medieval warfare. Even knights wore it.

Leather armor goes back to ancient times and continued in use through the Middle Ages and into the Renaissance. This picture shows the shoulder and upper arm portions of an elegant suit of leather dating to the Italian Renaissance, courtesy of the Schola Forum. As you can see, it looks much like regular metal armor, and many historians believe that it was worn as much as or even more than metal armor. A suit of plate was hot and heavy, so on the march or during a friendly tournament the knight may choose to weather cooler leather. The rank and file would also be fitted with leather and perhaps some portions of metal armor for vulnerable places such as the head and chest.

While leather was much cheaper, it provided pretty good protection. Regular soft leather wasn't much help, but combined with quilted padding provided some protection, especially against blunt weapons such as maces.

More effective was cuir bouilli--boiled leather. If you soak leather in water and then place it in boiling water, it becomes elastic and pliable. It soon begins to shrink, thicken, and harden. As it's hardening, the leather is hammered onto shaped blocks to create breastplates, greaves, vambraces, and anything else. A full suit of armor could be made in this way.

The 14th century French chronicler Jean Froissart claimed that it was "leather that no iron can pierce" and while that may be overstating the case, leather armor certainly gave good protection. Games such as D&D probably undervalue its effectiveness. Modern experiments show that the average sword blow wouldn't get through, although a good English longbow would make short work of a leather breastplate! This basic article (PDF) explains the technique. Also check out this thread from Schola Forum for some more insights and pictures.

The picture below from The Historians' History of the World shows some improvements on leather armor, with overlapping metal scales, discs, and rings. These were all cheaper yet pretty effective alternatives to full plate and variants of these were used from ancient times into the Renaissance.

Medieval Mondays: The Iron Arm of Götz von Berlich

"I will crush you."

The German knight Götz von Berlich (c.1480-1562) had a nasty reputation. The veteran of numerous battles, he estimated that he had fought 15 feuds in his own name and many others for friends. In 1525 joined the German Peasant's revolt and led the peasants against the Holy Roman Empire.

"The peasants are revolting, and I'm revolting too!"

Perhaps he got his bad attitude when he lost his right hand and forearm during the siege of Landshuf in 1504. A cannonball hit his sword, making it swipe down to cut off his own limb! That's enough to put anyone in a permanently bad mood.

Luckily, craftsmen in this period were skilled at making prosthetics for just such occasions. They made him an iron limb that could open and close it fingers, so it could still be used in battle. He became known at Götz of the Iron Hand. His hand was so well made it could even hold a pen. Perhaps he used it when he wrote his memoirs.

Just goes to show that the late Medieval/early Renaissance period was more sophisticated than we generally believe.

Images courtesy Wikipedia.

Medieval Mondays: Visiting Ukhaidher Castle, Iraq

Today, our sometimes guest blogger Sean McLachlan returns with an amazing story. He just got back from 17 days in Iraq. That's right, he actually visited Iraq as a tourist. Follow the link to read his fascinating series. Today he's talking to us about exploring an early medieval castle in the desert.

About 50 km (30 miles) southwest of Karbala, there's a mystery standing in the middle of the desert. It's called Ukhaidher ("small green place") Castle and is said to have been built in the 8th century, right at the beginning of the Abbasid dynasty. An oasis stands nearby, hence the name.

Beyond that, little is known about Ukhaidher Castle. Some believe it actually dates from before the Islamic era, to the time of a Christian Arab named Ukhaidher who was expelled from Arabia in 635 AD. Others say it was a Muslim hunting lodge, or a retirement palace for an aged prince.

Whether it has its origins in the pre-Islamic era or not, it was certainly used by the Abbasids and it certainly is impressive. Its walls stand 21 meters (69 ft.) high.

A very early mosque on the site created controversy when it was excavated. The miqrab, or niche that is supposed to face Mecca, appears to face Jerusalem instead. This isn't the only such mosque from the early days of Islam not to face Mecca. The Iraqi archaeologist who discovered this had his funding cancelled and never got to publish his findings. Unfortunately when I visited I didn't have a compass with me, so I can't say for sure where it points. I did get to climb the partially ruined minaret and take some shots from a good vantage point.

Like many archaeological sites, it was heavily restored during Saddam Hussein's rule, more with an eye for grandeur than historical accuracy. The castle was in good enough condition, however, that this particular reconstruction is better than most.

Readers into all things medieval might want to check out my post on exploring medieval Baghdad.

Thanks for having me, A.J.! Besides blogging for Gadling, I run Civil War Horror, dedicated to dark fiction, the American Civil War, and the Wild West. Guest bloggers are always welcome. I'm the author of numerous books including A Fine Likeness, a historical novel set in Civil War Missouri, and The Night the Nazis Came to Dinner, a collection of dark speculative fiction. The electronic editions are both on sale at the moment. You can also check me out on Twitter, Facebook, Goodreads, and my Amazon author's page.

 All photos copyright Sean McLachlan.

Medieval Mondays: Armor wasn't as cumbersome as commonly thought

One of the common misconceptions about medieval armor was that it was incredibly cumbersome. An oft-repeated tale was that knights had to use a crane to get themselves onto their horses. This seems to come from Henry VIII, who at his fattest could barely move himself, let alone a load of armor.

As this video briefly and clearly shows, armor had a lot more movement than generally thought.

In The Face of Battle, John Keegan points out that the load for the average infantryman stayed the same for much of history. The Tommies going "over the top" in World War One carried just as much weight as an armed and armored medieval knight. Both of these warriors could climb, get up from a prone position, and manage a lumbering run.

The real problem for knights was heat exhaustion. With the faceplate down and most of the body covered, medieval knights often passed out from their exertions. This was an especially serious issue when fighting the Crusades in the Middle East.

For more detailed coverage, check out this lecture by Dirk H. Breiding, Assistant Curator, Department of Arms and Armor, The Metropolitan Museum of Art.

New evidence for Vikings in North America

Recent excavations have found new evidence for Norsemen in Canada.

National Geographic reports that an archaeologist has reexamined the artifacts found at four sites in northern Canada and thinks they're Norse. Back in the 1960s, some strange cloth was found from sites belonging to the Dorset culture, the predecessors of the modern Inuit. The cloth didn't look Dorset and when it was looked at again this year, the researcher discovered it looked just like cloth woven in Viking Greenland in the 14th century.

Other evidence was found too. Whetstones that had lain in a museum for decades were analyzed with modern methods and found to have been used to sharpen bronze. The Dorset culture had virtually no metal tools. Only when they were lucky enough to come across meteoric iron would they have metal to work with.

Early researchers also found a sizable building that was much bigger than Dorset structures but the right size for a Viking hall. This was before the 1960s discovery of L'anse aux Meadows, the Viking settlement on Newfoundland. Since back then the idea that Norsemen came to the New World was only supposition, the evidence wasn't looked at as closely as it should have been.

As yet there's no smoking gun, but it does raise some interesting possibilities. The four sites from which the new evidence comes range over a thousand miles from northern Baffin to northern Labrador. The Norsemen, or their trade goods, seem to have gotten around.

Besides L'anse au Meadows and the Baffin Island finds, there is some fuzzy evidence for more widespread Norse explorations of North America. This 13th or 14th century carved figurine, called the "Bishop of Baffin", shows a person in clothing quite unlike that worn by the Dorset or Inuit cultures, yet strangely reminiscent of a European cloak. Also check out my post on the Maine Penny.