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Fantasy, mystery, thrillers, horror, historical. . .I write it all, and review it too!
Sep 28, 2013
Tweaking the cover and blurb for The Maze of Mist
Hey folks! Here's version 2.0 of the cover and blurb for my next book, The Maze of Mist, which is part of the Chronicles of the House of Itxaron series. It's set in the same world as my novel Roots Run Deep but it's not a sequel. Both are standalone books.
WHich cover do you prefer? Any tweaks? How about the blurb? Any input will be highly appreciated!
When the heir to the throne is treated as an outcast, he has to prove himself before he can rule.
Prince Metis Itxaron is the son of a human father and a goblin mother. As heir to the Twin Thrones, he will some day bear the responsibility of ruling two peoples while protecting the kingdom from the vicious armies of the Bandit Queen and the Elves of the Great Forest.
Instead he spends his time getting drunk and sleeping with the few women willing to look beyond his mixed heritage.
In a desperate attempt to make a man out of him, his parents send him on a secret diplomatic mission to prepare for an upcoming war. What they don't expect is that he will come upon visitors from an unknown land beyond the Sea of Mist, a strange labrynthe of fog that has baffled navigators for all of recorded history. Metis sees a visit to these new lands as an opportunity to escape his responsibilities and prove himself on his own terms.
Then he discovers that representatives from his kingdom's enemies are coming along for the voyage. . .
Sep 25, 2013
Guest Post by Jessica Bell: ONLY 99c TO HELP SUPPORT THE INDIE AUTHOR & AN AMAZING CHARITY!
The day I realized I’d been obsessing over my sales figures way too much was the day I closed my eyes and tried to think about the real reason I am an indie author.
Is my primary goal to make money? No. So why do I keep obsessing over my sales stats? I realized it’s because more sales means more people reading my work. What I really really want is to be read. I want to share the one thing in this world I would cut my fingers off for. I know. If I didn’t have any fingers, I wouldn’t be able to physically write, but you know what I mean.
My passion for writing comes with a perpetual replacement button, attached to my side seam, just in case it becomes unraveled, and falls off, after a day gallivanting through the publishing jungle. It can be tough in there, but in the end, being an indie author is OH SO WORTH IT.
This made me wonder … what’s everybody else’s story? Then Indiestructible was born.
Need motivation and inspiration to self-publish, or sign that contract with an interested small press? Have you done all the research you can, but still feel ambivalent about the idea? Indiestructible: Inspiring Stories from the Publishing Jungle brings you the experiences of 29 indie authors—their passions, their insights, their successes—to help you make the leap into indie publishing.
This is not a how-to guide. This is the best of the indie tradition of experienced authors paying forward what they’ve learned, giving you information to help you on your journey. The personal essays in this book will leave you itching to get your work into the hands of readers and experience, first-hand, all the rewards indie publishing has to offer.
Not only is this anthology packed full of interesting, unique, and genuinely helpful information, and totally worth the 99c (only 99c!!!), 100% of proceeds will be donated to BUILDON.org, a movement which breaks the cycle of poverty, illiteracy, and low expectations through service and education.
Pretty amazing, huh? What are you waiting for? Buy Indiestructible—support the indie author and an amazing charity—TODAY!
About Jessica Bell
The Australian-native contemporary fiction author, poet, and singer/songwriter/guitarist, Jessica Bell, also makes a living as an editor and writer for global ELT publishers (English Language Teaching), such as Pearson Education, HarperCollins, Macmillan Education, Education First and Cengage Learning. She is the co-publishing editor of Vine Leaves Literary Journal, and the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca.
Is my primary goal to make money? No. So why do I keep obsessing over my sales stats? I realized it’s because more sales means more people reading my work. What I really really want is to be read. I want to share the one thing in this world I would cut my fingers off for. I know. If I didn’t have any fingers, I wouldn’t be able to physically write, but you know what I mean.
My passion for writing comes with a perpetual replacement button, attached to my side seam, just in case it becomes unraveled, and falls off, after a day gallivanting through the publishing jungle. It can be tough in there, but in the end, being an indie author is OH SO WORTH IT.
This made me wonder … what’s everybody else’s story? Then Indiestructible was born.
Need motivation and inspiration to self-publish, or sign that contract with an interested small press? Have you done all the research you can, but still feel ambivalent about the idea? Indiestructible: Inspiring Stories from the Publishing Jungle brings you the experiences of 29 indie authors—their passions, their insights, their successes—to help you make the leap into indie publishing.
This is not a how-to guide. This is the best of the indie tradition of experienced authors paying forward what they’ve learned, giving you information to help you on your journey. The personal essays in this book will leave you itching to get your work into the hands of readers and experience, first-hand, all the rewards indie publishing has to offer.
Not only is this anthology packed full of interesting, unique, and genuinely helpful information, and totally worth the 99c (only 99c!!!), 100% of proceeds will be donated to BUILDON.org, a movement which breaks the cycle of poverty, illiteracy, and low expectations through service and education.
Pretty amazing, huh? What are you waiting for? Buy Indiestructible—support the indie author and an amazing charity—TODAY!
About Jessica Bell
The Australian-native contemporary fiction author, poet, and singer/songwriter/guitarist, Jessica Bell, also makes a living as an editor and writer for global ELT publishers (English Language Teaching), such as Pearson Education, HarperCollins, Macmillan Education, Education First and Cengage Learning. She is the co-publishing editor of Vine Leaves Literary Journal, and the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca.
Sep 23, 2013
Medieval Mondays: Early Irish Ogam
The Great Court at the British Museum is full of interesting objects such as Greek statues and Native American totem poles. Off to one side is a simple slab of rock that many people pass by. From a distance it doesn't look like much but it's perhaps the rarest object in the room.
If you look more closely, you'll see a series of slashes cut into the rock. This is a simple form of writing called Ogam. The Irish developed Ogam in the 4th century AD. The system was simple: letters were made up of one to five slashes, either short or long, on either side of a natural edge of the rock or a carved line. Slanted lines and lines that cut across the dividing line were also used. It was generally read counter-clockwise.
This particular stone dates to the 5th century and was found along with two others, having been reused to build a later medieval fort. The inscription reads, "[stone] of Vedac, [son] of Tob of the Sogain."
Such a short inscription is common with Ogam. Like Viking runestones, most Ogam stones were simple memorials that only recorded the carver and who the stone was dedicated to. Ogam died out after a couple of centuries as it was replaced by Latin.
If you look more closely, you'll see a series of slashes cut into the rock. This is a simple form of writing called Ogam. The Irish developed Ogam in the 4th century AD. The system was simple: letters were made up of one to five slashes, either short or long, on either side of a natural edge of the rock or a carved line. Slanted lines and lines that cut across the dividing line were also used. It was generally read counter-clockwise.
This particular stone dates to the 5th century and was found along with two others, having been reused to build a later medieval fort. The inscription reads, "[stone] of Vedac, [son] of Tob of the Sogain."
Such a short inscription is common with Ogam. Like Viking runestones, most Ogam stones were simple memorials that only recorded the carver and who the stone was dedicated to. Ogam died out after a couple of centuries as it was replaced by Latin.
Sep 19, 2013
Seeking input on my cover and blurb
Hey folks! I'm preparing to release my next book, The Maze of Mist, which is part of the Chronicles of the House of Itxaron series. It's set in the same world as my novel Roots Run Deep but it's not a sequel. Both are standalone books.
Anyway, I've whipped this up on Kindle's Cover Creator. I'm not 100% satisfied with it so I could use some input. Too gray? What other colors could I use that go with the picture? I'm new to the cover design game.
Also, here's a draft of the blurb. Any input will be highly appreciated!
When the heir to the throne is treated as an outcast, he has to prove himself before he can rule.
Prince Metis Itxaron is the son of human father and a goblin mother. As heir to the Twin Thrones, he will some day bear the responsibility of ruling two peoples while protecting the kingdom from the vicious armies of the Bandit Queen and the Elves of the Great Forest.
Instead he spends his time getting drunk and sleeping with the few women willing to look beyond his mixed heritage.
In a desperate attempt to make a man out of him, his parents send him on a secret diplomatic mission to prepare for an upcoming war. What they don't expect is that he will come upon visitors from an unknown land beyond the Sea of Mist, a strange labrynthe of fog that has baffled navigators for all of recorded history. Metis sees a visit to these new lands as an opportunity to escape his responsibilities and prove himself on his own terms.
Then he discovers that representatives from his kingdom's enemies are coming along for the voyage. . .
Sep 16, 2013
Sep 9, 2013
Medieval Mondays: The Byzantine Solidus
In these days of financial crisis, it's important to have your investments in hard currency like the pound or the dollar. This has always been the case.
The later Roman Empire saw serious economic upheavals and a debasement of the coinage. Emperors tried to pay their expenses by minting more coins with less valuable metal, but of course people noticed and this led to inflation.
The Emperor Justinian (ruled 306-337 AD) reversed this trend by creating the solidus, a pure gold coin set at 1/72 of a Roman pound (about 4.5 grams). This helped stabilize the economy, but didn't save the Western Roman Empire from being overrun by Germanic tribes in the following century.
In the east, Rome continued as the Byzantine Empire, and the solidus was the benchmark currency. The solidus was trusted everywhere, and has been found as far away as India and China. It remained unchanged until the 11th century, when Byzantium started having economic problems of its own and the coin was debased. Even so, the old solidi remained in circulation through most of the Middle Ages. We have lots of examples of this coin because, unlike many other coins, it was such a trusted currency nobody wanted to melt it down for its metal.
For more on medieval money, check out my post on small change in the Middle Ages.
Photo of a solidus from the reign of Julian (reigned 361-363 AD) courtesy Wikipedia.
The later Roman Empire saw serious economic upheavals and a debasement of the coinage. Emperors tried to pay their expenses by minting more coins with less valuable metal, but of course people noticed and this led to inflation.
The Emperor Justinian (ruled 306-337 AD) reversed this trend by creating the solidus, a pure gold coin set at 1/72 of a Roman pound (about 4.5 grams). This helped stabilize the economy, but didn't save the Western Roman Empire from being overrun by Germanic tribes in the following century.
In the east, Rome continued as the Byzantine Empire, and the solidus was the benchmark currency. The solidus was trusted everywhere, and has been found as far away as India and China. It remained unchanged until the 11th century, when Byzantium started having economic problems of its own and the coin was debased. Even so, the old solidi remained in circulation through most of the Middle Ages. We have lots of examples of this coin because, unlike many other coins, it was such a trusted currency nobody wanted to melt it down for its metal.
For more on medieval money, check out my post on small change in the Middle Ages.
Photo of a solidus from the reign of Julian (reigned 361-363 AD) courtesy Wikipedia.
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